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Brilliant take on how Cooper's directing evolves through musical forms! The distinction between being unhappy "in" versus "with" a marriage is such a precise observation, and it's fascinating how stand-up comedy lets the film embrace that messiness without needing to resolve it. I've noticed smilar patterns in relationships where people mistake situational frustration for fundamental incompatibility. The Philip Glass comparison also feels spot-on for capturing that repetitive, churning energy of someone stuck in their own head during a seperation.

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